happydalek: (Default)
I cannot wait to be finished with school so I can get a decent job and start making good on the 20+ years of institutional life I've had. CAN. NOT. WAIT. I want my brain back, and I still can't find the motivation I mislaid around the start of January. I want to write, and to read for fun, and to be able to do so without the vaguely naughty sense of guilt that I should be doing other things instead. I suspect I probably felt much this same way as my undergrad career wound down, too, heh. I probably shouldn't be so emotional about things, but...can't not.

On a different note, I love the track, "Young Americans" by David Bowie.  The whole album is pretty awesome (Bowie's "plastic soul" phase), but the title track is just so funky and interesting.  Also interesting is this live performance of "Young Americans" that Bowie gave on the Dick Cavett Show in 1974.  Bowie's voice is more than a little rough here (to say nothing of his looks, although the hair is nice), but it adds a gritty depth to the lyrics, I think.  But my god, Bowie's backing band and singers (including a young Luthor Vandross!) absolutely NAIL IT.  SO. TIGHT.  Geez, incredible.  Also incredible?  The fact that Bowie was even coherent enough to give a performance like this, since the mid-70's was when he living on a rather strict diet of milk, cocaine and red peppers and rocking an image that was more Animate Corpse than Glam Rock.  


.  

 

Actually, Cavett's entire interview with Bowie is pretty interesting; Bowie opens with an energetic performance of "1984," (a song he wrote for a musical adaptation of Orwell's book that never materialized) and then spends about 10 minutes sniffling and rubbing his nose, and fiddling endlessly with a cane whilst the always-cool and erudite Cavett tries (with limited success) to engage him in conversation.  The mid-70's were not a good time for Bowie (but damn, the guy produced some pretty awesome music), but luckily his story has a happy ending.  Ladies and gents, this is what David Bowie looks like on drugs (in 4 parts, I'll just link you to the first segment):

 
happydalek: (Default)
Yessss. So nice once in a while to do absolutely f*ck all one day and not feel guilty about it. That was today. It started when I got woke up by my ringing phone. It was my Summer Plans calling, haha. I've got myself a position on an archaeology crew for the summer/fall with PennDot! It's the internship thingie I alluded to previously (and the same sort of gig I missed by a narrow margin last spring), it will be full time for the season, and pay on a scale nicely above minimum wage.

After taking that call, I then decided that in celebration, I wasn't gonna do a damn thing that I didn't feel like doing today. Funny enough, I ended up doing a load of laundry in my bathtub because I didn't want to walk to the 'mat and pay with quarters. But I didn't even put real pants on, or go outside. I stayed in and mined youtube for documentaries and songs.

For today's Bowie appreciation, allow me to share his 21 minute short film for the single, "Blue Jean," off his 1984 album Tonight.  It's called "Jazzin' for Blue Jean" and is quite simply delightful.  Bowie plays two characters in the film, 1) the protagonist, a sweet dorky guy named Vic who is on quest to impress a girl he's just met, and 2) Screamin' Lord Byron, a drug-addled rock star that Vic's lady friend wants to meet.  Bowie is a quite talented actor, and plays both parts brilliantly.  His portrayal of Byron is especially awesome, in that Bowie is obviously mocking his own excesses from his Thin White Duke days.  I had no idea Bowie had ever done anything like this, and I just love it:


happydalek: (Default)
Posting two days in a row? It's like a Lent Miracle! Actually, I'm hard-core procrastinating on all the Things I Should Be Doing. But I'm also celebrating the fact that I had an awesome interview today for a summer internship. I've been led to believe by a few of the people involved that I have a very, VERY good chance of getting the position this year, but I refuse to buy into that wholesale, since I was led to believe thesame thing last year. In truth, I think I've got it pretty much locked up, so the denial is partly a self preservation measure.

ANYWAY, here's a bit more of Bowie Appreciation.

I have a weird relationship with the late 90's. I was in middle school/early high school during that time, so the major theme was "awkward." It was when I began to become aware of the larger youth culture around me, and was first confronted with the issues of personal identity that proceeded to dog me for the next ten years. Right or wrong, I mostly remember that time scored to the works of "Nickelback," which I discovered via my younger sister's CD collection. Truth be told, I have a soft spot forNickelback that tends to evoke embarrassment from my RL friends. Whatev. I kind of love Nickelback's soppy "save the world" ballads and I don't care who knows it. Either way, though, I'm sad I didn't manage to discover David Bowie's 1997 album "Earthlings" during that time. Because it is, quite frankly, one of the most incredible things my agitated, drunken mind has ever encountered and is singularly amazing. And kind youtube member SuperDiamondDogs has been good enough to make the ENTIRE ALBUM available as one single supersizedtrack on the internet (the individual tracks are also there):

Apparently SME is being a little bitch about playback rights, so go to youtube and LISTEN TO IT. Because even though I sure as hell can't describe what's going on in most of the tracks, I CAN tell that it consists largely of David Bowie kicking the late 90's music scene in the ass with his electronic and saxophone-tainted awesomeness. Seriously. Dude was like, 50 years old when he made this, and it is just unbelievable. It gives me foolish hope that I might still command the respect and street cred of the younger generation when I'm 50. Regardless of age, it is just plain cool, and might be the thing to finally break me of my obnoxious Nickleback habit.
Oh, who am I kidding; no, it won't. But it's still an awesome album.
happydalek: (Default)
YOU GUYS.  DAVID BOWIE IS A FABULOUS ROCK STAR, GUYS.  Did you know that?  I KNOW IT NOW, TOO.

Also, this is a very lovely planet you guys have here.  Earth, you call it?  Not the prettiest-sounding name, but ok.  I'm really enjoying the variety of cultures you humans have here.  So much to see and experience!

Okay, then.  DAVID BOWIE.  I knew who David Bowie was from a fairly young age.  Of course I did.  I don't remember when I learned of him for the first time, probably one of those cultural osmosis things, but I know my idea of him was fairly well cemented by Labyrinth, which I saw for the first time in middle school.  So for me, David Bowie was basically Jareth.  Tight pants and mostly unpalatable (to me, at the time) tunes from the late 80's and early 90's.  I knew the song "Starman" and that he'd been some kind of glam rocker in the 70's, then played an alien in "The Man Who Fell To Earth" and then released more music in the early 2000's and had kind of ridiculous 90's boy band hair, and did that hilarious cameo in "Zoolander."  So yeah, I knew of David Bowie, and if anyone had asked, I would have said sure, I was a Bowie fan.  I liked Labyrinth, and that song of his they used in "A Knight's Tale."  So of course I was a Bowie fan. 

It turns out, however (and this should be painfully obvious to ANYBODY), that I had NO IDEA what David Bowie was all about.  So, a coworker who found out that I loved sci-fi stuff, was appalled to find out that I'd never actually heard all of "Ziggy Stardust and the Spiders from Mars," so he burned me a copy of it.  This happened at least six months ago.  Two months ago, I got a car with a CD player in it, and last month, I finally popped in the Ziggy Stardust CD and listened to it.  I probably wouldn't have if it hadn't been Bowie's 65th birthday in January and a friend of mine posted a 1972 performance video of Bowie performing "Space Oddity."  I did a little google-fu and found her the original 1969 music video of "Space Oddity," and it has changed my life.  I wasn't crazy about "Ziggy Stardust and the Spiders from Mars" at first, but over the past two weeks, it has wormed its way into my mind in that borderline dangerously obsessive way that such things occasionally do.  I developed a craving for more things Bowie.  I started at his Wikipedia page (don't judge), and that's when I discovered that he had an absolutely incredible career between the Ziggy I'd just met, and the "Zoolander" cameo I knew from just a couple years ago.  I started looking up songs and performances and interviews and suddenly I AM IN LOVE WITH THIS GUY'S MUSICAL GENIUS, GUYS.  He is everything I've always wanted in a musical artist but never thought could possibly exist in one person's career.

I want to share my newfound Bowie appreciation with you all, but it's 2 AM here, and I simply cannot do it in a single post, so consider this the first of probably several Bowie Appreciation Posts to follow.  For now, let me simply direct you to the video that started it all, both for David Bowie's incredible career and my new obsession over his incredible career, 1969's Space Oddity:


 


 

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August 2012

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